Saturday, September 5, 2026

Haut Bas Fragile: NEO art & culture lab x VogelART Present a New International Exhibition

 

Nice will welcome a compelling new chapter in its contemporary art scene this autumn with Haut bas fragile, a new exhibition presented by NEO art & culture lab x VogelART and curated by artist and curator Thomas Zitzwitz.

Running from September 24 to October 11, 2026, the exhibition brings together an impressive group of international artists whose work explores some of the most elusive and universal conditions of contemporary life: fragility, vulnerability, transformation and resilience.

Following his previous exhibitions, Tender is the Night and Sympathetic Ink, Zitzwitz continues to examine contemporary artistic practices through exhibitions that deliberately resist easy categorisation. Rather than presenting a single narrative, Haut bas fragile creates a space where different artistic voices, mediums and perspectives can exist in tension with one another.

The title itself is borrowed from Jacques Rivette’s 1995 film Haut bas fragile, a work known for its playful, open-ended narrative and its fascination with what remains unresolved, suspended or unfinished. That sensibility becomes an important thread running through the exhibition.

High, low, fragile.

The three words suggest not only emotional states but also the contradictions of contemporary existence. They describe moments of vulnerability and strength, certainty and doubt, intimacy and exposure. In a world increasingly defined by instability and rapid transformation, fragility is no longer simply something to be overcome. It can also become a condition through which we understand ourselves, our relationships and the societies around us.

The exhibition therefore brings together works that question what happens when stability gives way to uncertainty, when something familiar is transformed, or when vulnerability becomes a source of resilience.

Across a diverse range of media and artistic approaches, Haut bas fragile creates a dialogue between lightness and gravity, intimacy and public space, stability and uncertainty. Rather than prescribing a particular interpretation, the exhibition invites visitors to move through these contrasts and construct their own understanding of what is fragile, unfinished or in transition.

That openness is particularly appropriate for an exhibition in Nice, a city whose artistic identity has long been shaped by encounters between different cultures, movements and generations.

A Curator with Deep Roots on the Côte d’Azur

For Thomas Zitzwitz, the exhibition also represents something of a homecoming.

An artist as well as an experienced curator, Zitzwitz has a longstanding personal connection to Nice and the Côte d’Azur. He grew up in Èze, just outside Nice, and attended school in the region.

That connection gives his work at NEO an additional dimension. His relationship with the Côte d’Azur is not simply that of an outside curator arriving to stage an exhibition in an attractive Mediterranean city. It is rooted in personal experience and a longstanding familiarity with the region and its creative environment.

His own experience as an artist also informs the way he approaches exhibitions. Rather than treating artworks as isolated objects, Zitzwitz brings together artists through encounters, relationships and an understanding of the creative processes behind their work.

The result is an exhibition conceived less as a conventional collection of individual works and more as a conversation between artistic positions.

An Exceptionally International Line-up

The exhibition features an extensive roster of artists from different generations and artistic backgrounds, including:

Adriane Wachholz, Alicja Kwade, André Wendland, Aneta Kajzer, Bertille Bak, Camille Henrot, Carsten Höller, Christian August, Cosimo Casoni, Frédéric Weigel, Gregor Hildebrandt, Ida Ekblad, Isa Melsheimer, Jean Bedez, Jenny Brosinski, Joan Jonas, Johannes Daniel, Kenny Schachter, Kristian Touborg, Lars Breuer, Lou Ros, Lucie Antoinette, Marie Bovo, Norbert Bisky, Pablo Tomek, Philip Grözinger, Sophie Calle, Thomas Zitzwitz, Ugo Rondinone, Xiyao Wang and Yorgos Stamkopoulos.

The breadth of the participating artists is one of the exhibition’s most intriguing elements. Their differing practices and perspectives create precisely the kind of friction that Haut bas fragile seeks to explore.

Rather than offering a uniform aesthetic, the exhibition promises a polyphonic experience, where visitors can encounter different interpretations of vulnerability, change and resilience.

Opening Night and Special Performance

The exhibition officially opens with its vernissage on Thursday, September 24, from 6pm to 9pm.

The programme will also include a special performance by Frédéric Weigel on Sunday, October 4 at 7pm, adding another dimension to an exhibition already concerned with movement, transformation and the relationship between the unfinished and the complete.

Haut bas fragile will remain open from September 24 through October 11, Wednesday to Sunday from 2pm.

For Nice, the exhibition represents another welcome reminder that the city’s contemporary art scene extends well beyond its established museums and institutions. With an international group of artists, a curator with genuine ties to the region and a concept rooted in some of the most relevant questions of contemporary life, Haut bas fragile promises to be an exhibition that rewards curiosity rather than passive observation.

In the end, perhaps that is precisely what fragility demands: not certainty, but attention.

And in a city as layered, contradictory and perpetually evolving as Nice, an exhibition devoted to the fragile and unfinished feels particularly at home.

Thursday, September 3, 2026

Journées Européennes du Patrimoine 2026: Discovering the Hidden History of the French Riviera

 

Every September, France opens the doors to its past.

For one weekend, historic buildings, museums, private residences, churches, archaeological sites, archives, scientific institutions and cultural treasures across the country invite the public inside — often free of charge and sometimes into places that are normally closed to visitors.

The Journées européennes du patrimoine — European Heritage Days — return on Saturday, September 19 and Sunday, September 20, 2026, and on the French Riviera they offer an extraordinary opportunity to discover a side of the Côte d’Azur that can easily disappear beneath its reputation for beaches, luxury hotels, yachts and glamorous resorts.

Official 2026 Journées européennes du patrimoine programme — French Ministry of Culture

More than just a Weekend of Free Museums

The Heritage Days are important because they change the relationship between people and the places around them.

Rather than simply looking at historic buildings from the outside, visitors are encouraged to enter them, learn their stories, meet the people responsible for preserving them and discover the often-overlooked cultural, architectural, scientific and social history behind them.

That is particularly important in a region such as the Côte d’Azur.

The Riviera is frequently presented as a glamorous playground of millionaires, celebrities and tourists. But underneath that image is an extraordinary history stretching from prehistoric settlements and Roman civilization through medieval fortifications, religious architecture, aristocratic villas, Belle Époque tourism, the arrival of the railway, modern art, photography and the development of international tourism.

The Heritage Days provide a chance to discover that deeper story.

September 19–20, 2026: A particularly Special Edition

The 2026 edition has two major themes: “Patrimoine de la photographie” — Photographic Heritage — and “Patrimoine en péril” — Heritage at Risk.

The photography theme is particularly appropriate for the French Riviera.

Photography has played an enormous role in creating the international image of the Côte d’Azur. Long before Instagram, photographs of Nice, Cannes, Menton, Monaco and the Riviera’s spectacular landscapes helped sell the region to visitors around the world.

In 2026, the Heritage Days invite visitors to look not only at the monuments themselves but also at the way photography has documented, preserved and shaped our understanding of them.

Nice is embracing that theme particularly strongly, with a programme featuring more than 100 activities spread across 58 locations.

Nice: Start Here

If you only have one weekend, Nice is arguably the best place to begin.

The city’s Heritage Days programme includes guided tours, exhibitions, conferences, workshops, performances, concerts and exceptional openings. Many events are free, although some require advance registration.

One of the highlights is the “Nice argentique” photographic tour, which explores the photographers who immortalized Nice as part of the bicentenary of photography.

There are also opportunities to visit the normally inaccessible reserves of Palais Lascaris, explore the underground Crypte, discover the historic Observatoire de la Côte d’Azur, and visit the city’s archaeological and religious heritage.

The Observatory is particularly impressive. Visitors can access the historic Grande Coupole and buildings associated with Charles Garnier and Gustave Eiffel, as well as the recently restored historic library.

Another fascinating option is the Musée d’Archéologie de Nice / Cimiez, where visitors can explore Nice’s Roman past and learn about the ancient settlement of Cemenelum.

There are also opportunities to discover the city’s Baroque religious heritage, including the Chapelle de la Miséricorde and other historic chapels in Vieux-Nice.

And for anyone interested in photography, the Musée de la Photographie Charles Nègre is an obvious stop during a year dedicated to photographic heritage.

Ville de Nice — Journées européennes du patrimoine 2026 programme

The Côte d’Azur Beyond Nice

The Heritage Days aren’t limited to Nice.

The official Côte d’Azur programme contains a huge variety of events across the region, including 80 guided visits, 20 exhibitions, 15 conferences and debates, 48 discovery activities and numerous concerts, performances and other special events.

Côte d’Azur France — European Heritage Days 2026 programme

That means visitors can construct an entire weekend around a particular aspect of Riviera history.

Villefranche-sur-Mer

Villefranche offers a very different experience from Nice.

Its history is deeply connected to its strategic Mediterranean harbour, military fortifications and maritime importance.

The Citadelle Saint-Elme, historic old town and harbour provide an opportunity to understand the Riviera not as a luxury destination but as a strategically important Mediterranean coastline.

Èze Village

For medieval heritage, few places are more spectacular than Èze.

Perched dramatically above the Mediterranean, the village provides a glimpse into the fortified medieval landscape that existed long before the Riviera became an international resort.

Walking through Èze during the Heritage Days is a reminder that the Côte d’Azur’s history is considerably older than its Belle Époque image.

La Turbie


For ancient history, head higher up the coast to La Turbie and the extraordinary Trophée des Alpes.

The Roman monument is one of the most impressive surviving reminders that this coastline was already an important crossroads of civilization nearly two thousand years ago.

It also offers one of the best historical perspectives on the relationship between the Riviera’s landscape and its strategic importance.

Saint-Paul-de-Vence

 

Saint-Paul-de-Vence tells another important Riviera story.

There is the medieval village, its ramparts and religious heritage — but there is also the extraordinary cultural history of the 20th century.

The village became associated with artists including Picasso, Chagall, Matisse and other major figures of modern art.

It therefore demonstrates how the Riviera’s heritage didn’t stop with the Middle Ages. It continued to evolve into one of Europe’s most important artistic landscapes.

Antibes

Antibes brings together ancient history, fortifications, maritime heritage and the artistic legacy of Picasso.

Its old town and ramparts provide a fascinating contrast with the modern image of the Côte d’Azur as a playground for yachts and luxury tourism.

Cannes

 

Cannes deserves particular attention because its modern identity can sometimes obscure its older history.

Before the Film Festival, red carpets and international celebrities, Cannes was a small Mediterranean settlement that was transformed during the 19th century into an international resort.

Le Suquet, the old harbour, historic churches and former villas tell the story of the Cannes that existed before Hollywood discovered it.

Menton

Menton provides yet another perspective.

Its location beside Italy has created a distinctive cultural identity combining French, Italian and Mediterranean influences.

Its old town, gardens, religious architecture and Belle Époque heritage reveal how international tourism transformed the eastern Riviera.

Why the Heritage Days matter

The importance of the European Heritage Days goes far beyond getting free admission to a museum.

They are fundamentally about preservation and transmission.

France possesses an extraordinary amount of architectural and cultural heritage, but heritage cannot survive simply because a building is old.

Someone has to maintain it.

Someone has to pay for it.

Someone has to document it.

And, perhaps most importantly, someone has to care about it.

That is why the 2026 theme of heritage at risk is so important. Historic buildings, archives, photographs, landscapes, traditions and objects can all disappear through neglect, environmental pressures, redevelopment, lack of funding or simply because their stories are forgotten.

The Heritage Days help make that heritage visible.

And the French Riviera has an Important Story to Tell

The Côte d’Azur is not simply a beautiful place.

It is a place where European history, Mediterranean culture, architecture, art, tourism and modernity collided.

Nice’s UNESCO World Heritage designation recognizes the city’s importance as the “Winter Resort Town of the Riviera.”

That heritage tells the story of how international visitors — particularly British, Russian and other European travellers — helped transform Nice and the surrounding coastline into an international destination.

The railway, grand hotels, villas, gardens, casinos, promenades and cultural institutions were all part of that transformation.

And photography helped turn the transformation into an international fantasy.

The Riviera was photographed, painted, written about and marketed to the world.

In other words, the Côte d’Azur didn’t simply become famous because it was beautiful. It became famous because generations of people created, documented and promoted an idea of what the Riviera represented.

That is precisely why the 2026 photographic theme is so appropriate.

Make a Weekend of it

For visitors and residents alike, the Heritage Days are an opportunity to experience the Côte d’Azur differently.

Rather than spending the weekend simply moving between beaches, restaurants and the usual tourist attractions, consider spending Saturday exploring Nice’s photographic, Belle Époque and architectural heritage, followed on Sunday by a journey along the eastern or western Riviera.

A particularly rewarding route could be: Nice → Villefranche-sur-Mer → Èze → La Turbie

or, heading west: Nice → Antibes → Saint-Paul-de-Vence → Cannes

Either way, you’ll discover something that is easy to forget when living in or visiting this extraordinarily beautiful region: the Côte d’Azur is not just a destination. It is a living historical landscape.

And for one weekend every September, much more of that history opens its doors.

Essential links

Official French Ministry of Culture — Journées européennes du patrimoine

Ville de Nice — 2026 Heritage Days programme

Côte d’Azur France — 2026 Heritage Days programme

Dates: Saturday, September 19, and Sunday, September 20, 2026. Many activities are free, but popular guided visits and restricted-access locations may require advance reservations. Nice specifically notes that reservations open from September 1.

Tuesday, September 1, 2026

Nice Gets Ready to Celebrate Sport, Pride and Inclusion at the NICE GAYMES Party

 

Nice is about to add another colourful chapter to its LGBTQIA+ calendar as the NICE GAYMES Party takes over the spectacular Villa Arson on Saturday, September 19, 2026.

Organised by Groupe Azur Inter Sports Nice (GAIS Nice) in partnership with the Côte d’Azur LGBTQIA+ Center, NICE GAYMES is much more than a sporting event. The three-day celebration, running from September 18–20, brings together LGBTQIA+ athletes, friends and allies around sport, friendship, respect and inclusion.

The party promises to be one of the weekend’s major social highlights, with DJ Lady Miss Tik providing the soundtrack from 10pm until 2am. The setting is hardly ordinary either: Villa Arson, at 20 Avenue Stephen Liégeard, is one of Nice’s most distinctive cultural landmarks, combining contemporary architecture, gardens, an art centre and the city’s national art school.

And that combination feels particularly appropriate. NICE GAYMES is about taking something traditionally associated with competition and turning it into a celebration of community. Whether participants are competing, cheering from the sidelines or simply showing up to dance, the message is clear: there is room for everyone in sport—and everyone deserves to feel welcome.

For Nice’s LGBTQIA+ community and its many visitors, it should be a memorable night where sport, culture and queer celebration collide in one of the city’s most unusual venues.

NICE GAYMES Party — Saturday, September 19, 2026, Villa Arson, Nice.

Sunday, August 30, 2026

The Secret Economy of the French Riviera

 

There is a version of the French Riviera that is very easy to see.

It is the version of superyachts sitting in the ports, luxury villas behind gates, Michelin-starred restaurants, designer boutiques, five-star hotels, glamorous beach clubs and sports cars winding their way along the coast. It is the Riviera that appears on Instagram, in travel magazines and in promotional campaigns selling the dream of the Côte d’Azur to the rest of the world.

But after living here long enough, you begin to notice another Riviera, one that is considerably less glamorous but arguably just as interesting.

It is the Riviera of people getting on the bus at 7:30 in the morning, the person carrying a laptop onto the train, the chef heading into a restaurant before lunch service, the cleaner arriving at an apartment building with a bag of cleaning supplies, the lawyer rushing toward an appointment, the hotel employee finishing a night shift, the student with a backpack, the gardener loading equipment into a van, the entrepreneur working from a café and the yacht crew member heading toward a marina.

This is the Riviera that tourists often don’t see (or do), yet it is enormous and it is what keeps the region functioning day after day.

Living on the Côte d’Azur, if you’re an observant people watcher like I am, public transportation or just going for a walk becomes a rather interesting place. Whenever I’m on a bus or train and have some time on my own, I will sometimes try to guess what type of work someone might do. Obviously, this is hardly scientific and I’m probably wrong plenty of the time, but the time of day, the direction someone is travelling, what they are carrying and even the neighbourhood they are heading toward can sometimes provide clues.

Visitors, on the other hand, are often surprisingly easy to pick out. They may be dressed specifically for whatever they have planned that day, watching the scenery go by with that unmistakable expression of someone taking everything in, while simultaneously checking Google Maps and then checking it again to make absolutely certain they haven’t missed their stop. The locals are generally doing something quite different. They’re travelling because they have somewhere they need to be.

That simple distinction says a great deal about life on the French Riviera. There is a tendency, particularly on social media, to talk about the Côte d’Azur as though everyone living here must either be extraordinarily wealthy or have somehow discovered a secret bank account. Someone will inevitably post about how expensive the Riviera is, followed by the inevitable question: “How does anyone actually afford to live there?”

The answer is considerably less glamorous than people might imagine. They work. Just like people do where they probably come from. They work in restaurants, hotels, hospitals, schools, offices, shops, construction, transportation, technology, finance, real estate, law, tourism, government, healthcare, education, entertainment, yachting and countless other occupations.

They are employees, freelancers, entrepreneurs, business owners, tradespeople, professionals, students and people working remotely. In other words, they are much like the people living almost anywhere else. The difference is that they happen to be doing it beside the Mediterranean.

There Is Far More Than Tourism

Tourism is obviously a huge part of the regional economy, but reducing the Riviera to tourism misses an enormous part of what actually happens here. The Côte d’Azur has developed into a remarkably diverse economic region, with industries ranging from technology and research to finance, healthcare, education, manufacturing, real estate, professional services, aviation, maritime industries and international business.

Take Sophia Antipolis, for example. It is one of the clearest reminders that the Côte d’Azur isn’t simply a place where people come to sit on beaches. The technology and science park has become an important international business and research centre, employing tens of thousands of people across technology, telecommunications, research, engineering, consulting and other industries. There are software developers, engineers, scientists, researchers, project managers, accountants, lawyers, marketing professionals and executives working there alongside countless support businesses. Even Monaco has its own small tech sector.

There are also people running small businesses from home, people working from cafés and entrepreneurs who arrived specifically because they saw an opportunity to build something here. Some have moved from Paris or another part of France, while others have arrived from London, Milan, Geneva, Brussels, North America or elsewhere in Europe. Some may have a global business while others are serving a very local clientele.

This is one of the reasons the Riviera can be deceptive. You can walk past a luxury hotel and assume that tourism is the entire story, yet a few kilometres away you can find technology companies, research facilities, schools, medical centres, industrial businesses and professional offices. The region is far more economically diverse than the postcard suggests. It just doesn’t necessary shout out what is may be.

The Invisible Economy Behind the Luxury

This is where the story becomes particularly interesting. The Riviera has developed an enormous ecosystem of businesses and professionals whose work is often barely noticed by the people benefiting from it.

Consider what happens when someone rents or owns a luxury villa. A guest may arrive, walk through the front door and see an immaculate property with a perfectly prepared kitchen, beautifully maintained garden, sparkling pool and everything apparently in its place. What they don’t necessarily see is the network of people responsible for making that happen.

There may be a property manager coordinating the operation, a concierge arranging the arrival, cleaners preparing the bedrooms, a gardener maintaining the grounds, a pool technician taking care of the equipment, an electrician or plumber dealing with an unexpected problem, a chef preparing dinner, a chauffeur collecting guests from the airport and a personal assistant arranging restaurants, activities, transportation and reservations. There may also be security personnel, maintenance contractors, laundry services, florists, caterers and dozens of other specialists involved at different points.

The same principle applies to the yacht industry. A superyacht sitting in Port Hercules or Port Vauban may appear to be completely self-contained, but behind that yacht is a vast network of people and businesses. There are captains, engineers, deckhands, stewards, chefs, yacht managers, brokers, shipyard workers, mechanics, electricians, provisioning companies, laundry services, accountants, lawyers, insurance professionals, recruitment agencies and countless others who contribute to keeping the industry running.

The owner of the yacht may live thousands of kilometres away, but maintaining, managing and operating that yacht creates economic activity on the Riviera. The same is true of luxury properties. The person who owns the villa may spend only a few weeks here each year, but the property still requires year-round attention.

This is what I mean by the Riviera’s invisible economy. It isn’t invisible because anyone is deliberately trying to hide it. It is invisible because visitors simply don’t think about the people behind the services they receive.

Who Actually Makes the Riviera Work?

The answer is a remarkably long list. Villa managers, rental managers, domestic staff, housekeepers, gardeners, pool technicians, maintenance companies, chauffeurs, security personnel, personal assistants and concierge businesses all form part of this ecosystem. So do yacht crew, yacht brokers, marina employees, shipyard workers, mechanics and maritime specialists.

Then there are the lawyers, notaries, accountants, insurance professionals, architects, interior designers, builders, electricians, plumbers, IT specialists, photographers, event planners, wedding planners, private trainers, beauty professionals, pet-care businesses and food suppliers who support the wider economy.

What makes this particularly interesting is that these businesses aren’t necessarily serving wealthy people exclusively. The electrician who spends the morning fixing lighting in an expensive villa might spend the afternoon repairing an apartment in Nice. The plumber dealing with a problem at a luxury property may be fixing a leak in an ordinary family home the following day. A restaurant chef might prepare dinner for a wealthy international clientele but return home to a perfectly ordinary apartment and live a life that has little resemblance to the people sitting at the tables.

The Riviera’s economy therefore shouldn’t be viewed simply as an economy that exists to serve wealthy people. It is an interconnected economy in which luxury spending is one component, but where the people employed by that economy also spend their money in supermarkets, cafés, restaurants, shops, schools, transport systems and local businesses. Their income becomes part of the wider regional economy.

The Everyday Working Riviera

Perhaps the biggest misconception about living here is that everyone you see enjoying the Riviera is wealthy enough to own a piece of it. That simply isn’t the case.

Someone can live in a relatively modest apartment in Nice and work for an international company in Sophia Antipolis. Someone can rent an apartment in Beaulieu-sur-Mer and work in Monaco. Someone else might live farther inland because housing is more affordable and commute toward the coast every morning. A successful entrepreneur might rent rather than own property. A young professional might share an apartment with friends. A family might have lived in the region for generations.

There are doctors, nurses, teachers, lawyers, engineers, accountants, retail workers, restaurant employees, mechanics, construction workers, artists, designers, administrative staff, civil servants, researchers, salespeople and business owners. There are people who work for large multinational corporations and others who operate businesses with only one or two employees.

And then there are the people whose jobs are particularly tied to the seasonal nature of the Riviera.

The Seasonal Riviera

The Côte d’Azur attracts a significant number of people who don’t necessarily live here all year. The summer season brings additional workers into hospitality, tourism, yachting, events and luxury services. A yacht crew member may spend the summer season on the Riviera before moving elsewhere in the Mediterranean. A hospitality professional may come for several months and then return home. A sales executive for a major luxury brand may relocate temporarily during an important period of the year. An events specialist may arrive for a particular international event, while a photographer, production company or wedding planner may spend several weeks here working on a specific project.

The same thing happens around Monaco and the major international events that take place throughout the region. Someone may have their permanent home somewhere else in Europe but spend considerable portions of the year on the Côte d’Azur because their company, clients or industry requires them to be here.

The Riviera’s economy is therefore considerably more fluid than simply looking at the number of permanent residents would suggest. People arrive for projects, seasons, contracts, conferences, events and business opportunities, and many return year after year.

The Entrepreneurs Who Come Here to Build Something

One of the most fascinating groups I find to observe is the entrepreneurs. The Côte d’Azur attracts people who have deliberately decided that they want to build something here, and their backgrounds can be remarkably diverse.

Some have moved from Paris or other major French cities. Others have arrived from Britain, Italy, Switzerland, Germany, the United States, Canada and elsewhere. Some are launching technology companies, while others are opening restaurants, creating tourism businesses, establishing consulting firms, working in property, developing lifestyle brands or building businesses connected to yachting and the maritime sector.

But there is an important reality that can easily get lost in the glamour of the region: living somewhere beautiful does not make building a successful business easy.

In fact, operating in a competitive international environment can be incredibly demanding. The people who succeed often develop strong professional networks and understand the importance of reputation, reliability and relationships. A property consultant knows an architect. The architect knows a builder. The builder knows an electrician. The electrician knows a property manager. The property manager knows a concierge company. The concierge knows a chauffeur. The chauffeur knows a restaurant owner. The restaurant owner knows a yacht captain.

That network is part of the Riviera economy too.

A Region That Attracts International Talent

Another interesting characteristic of the Côte d’Azur is how many people arrive here because their company or profession is international. The region’s proximity to Monaco, Italy and other major European business centres makes cross-border work relatively common, while Nice Côte d’Azur Airport provides connections that allow people to live here while maintaining professional relationships elsewhere.

Someone might live in France but work in Monaco. Another person might have an employer based in London but work from the Riviera for part of the year. A business executive might divide their time between Nice, Paris and Milan. Someone working in international finance might regularly travel to Geneva or London. A technology professional could be employed by a multinational company with colleagues scattered across several countries.

The result is a workforce that is often considerably more international than outsiders might expect.

And Then There Are the Students

There is another group that rarely gets included in discussions about who lives on the French Riviera: students.

Universities and higher-education institutions in Nice, Sophia Antipolis and the surrounding region attract students from other parts of France as well as international students. Some come for an exchange semester, some for a year and others for an entire degree programme. Internships also bring young people into the region for periods ranging from a few weeks to several months.

For many, spending a year studying on the Riviera is about much more than obtaining a qualification. It can be an opportunity to experience another culture, improve language skills, live independently, meet people from different countries and develop an international professional network before entering the workforce.

Some students arrive thinking they will stay for a year and discover that they don’t want to leave. Others return home with an international experience that influences the rest of their careers. Either way, they become part of the temporary but constantly changing population that gives the Riviera much of its international character.

Look Around the Next Time You’re on the Train

There is something almost poetic about travelling by train along the coast.

On one side you may see the Mediterranean, yachts and spectacular villas. On the other side are apartment buildings, commercial areas, construction sites, schools and ordinary neighbourhoods. Inside the train are hundreds of completely different lives, all temporarily occupying the same carriage.

Someone may be heading to work at a five-star hotel. Another person may be going to a technology company. Someone may be travelling to a construction site, while another is heading to university. One person may be going to clean an apartment, another to meet a client about buying property and someone else may be travelling to the airport to collect a client. Someone may be returning from a night shift, while another is on their way to open a restaurant.

And, of course, there is always someone who looks as though they have absolutely no idea where they’re going. Which is also perfectly fine. Dreamers also help make up the Riviera.

They also may simply be tourists on the train, which is always a welcome sight.

The Riviera Behind the Riviera

The French Riviera is often presented as a place where the wealthy come to spend money, and there is certainly truth to that to an extent. Luxury tourism, international property, yachting, hospitality and high-end services are important parts of the regional economy. But stopping the story there misses what makes the Côte d’Azur a real place rather than simply a luxury destination.

The Riviera is also a place where people build careers, start companies, raise families, study, commute, retire, create businesses and pursue opportunities. It is a place where people from completely different economic backgrounds live alongside one another, sometimes in very different circumstances but within the same relatively small geographical area.

The person sitting beside you on the bus may work in finance. The person standing next to them may be a cleaner. Someone across the aisle may be an engineer. The student beside them may have arrived from another country for a year of university. The person getting off at the next stop may be heading to a restaurant kitchen, a construction site, a law office or a yacht.

And that is perhaps the real secret economy of the French Riviera.

It isn’t just about the people who can afford the villas, yachts and luxury hotels. It is about the thousands of people whose work keeps those industries operating, alongside the thousands more whose jobs have nothing whatsoever to do with luxury.

The Côte d’Azur isn’t one economy. It is dozens of economies layered on top of one another, from technology and research to hospitality, construction, healthcare, education, retail, finance, professional services, transportation, yachting, tourism and small business.

The luxury economy may be the most visible layer, but it is only one part of the story.

The next time you’re sitting on a bus or train or walking down the street on the French Riviera, look around. The people sitting around you are not simply background characters in someone else’s luxury holiday.

They are the people who live here, work here, study here, build businesses here, raise families here and, in countless different ways, make the Riviera what it actually is.